The Seer of Shadows — 5 stars!

I’m not usually a horror type of person. I don’t like read or watch things that are bound to give me nightmares. But I have to admit that I do read some scary stuff. For instance, The Spook’s Apprentice series has some pretty frightening imagery in it, and The Screaming Staircase by Johnathan Stroud was a poor choice of reading material right before I went to bed. But I liked both of those series despite that, because although they scared me, they didn’t deliberately set out to terrify me permanently right from the beginning. A good scare was just part of the story.

I say this because recently I read another book that was good, but at the same time a little scary. The Seer of Shadows, written by award-winning children/YA author Avi, was a book I picked up for totally casual reading. It’s under 200 pages in hardcover, and I fully expected it to be a quick read on a rainy afternoon that would be forgotten in a few weeks.

Not so. The Seer of Shadows is a story told by Horace Carpentine, and despite his (I think) disastrous name, he’s actually a really good guy. Horace is apprenticed to a little-known photographer who thinks very highly of himself, Enoch Middleditch. One day, Middleditch is approached by a wealthy woman called Mrs. Von Macht who requests a photograph to be taken of her, and for some very curious reasons. Her claim is that she wishes to comfort the spirit of her dead daughter Eleanora by placing the photograph upon her tombstone. But the Von Macht’s black servant girl, Pegg, tells Horace just enough to make him wonder if her story is entirely true.

Strange things begin happening to Horace as soon as Mr. Middleditch is employed to take Mrs. Von Macht’s photograph. Horace is allowed to take his first photographs while at the Von Macht’s lavish home, and when he develops them, a frightening figure is revealed—Eleanora’s ghost! The more photographs he takes, the clearer her figure becomes. Worried, he seeks out Pegg to find out more about Eleanora, and too late they realize that his photographs are evoking Eleanora, allowing her to return as a spirit. And Eleanora’s spirit is bent on one thing—revenge upon the Von Macht’s! If she goes unstopped, she will murder them both. Horace may be the only one who can save them, if he can just find a way to send Eleanora back.

This story is set in New York during the year 1872, a time when photography was still a pretty young art. I really liked how Avi captured the mechanics of early photography in this story, right down to the chemicals that were used to develop the pictures, and even how those early cameras were put together. It was very impressive and very authentic to the time period, which is part of what made the story so easy to get sucked into. Photography was very important to the story, and by getting it right, Avi makes you feel like you’re there, in the story.

As for the scare factor, here’s what I have to say. Obviously, The Seer of Shadows is a ghost story, and some people are scared by that kind of thing. I didn’t think ghost stories could really get to me (then again, I don’t read many) but the last fifty pages of The Seer of Shadows were definitely scary. I can’t lie about that. There actually was a point where I had to shut the book and do something else for about five minutes before I could bear to go back to it. So, yes, I would say The Seer of Shadows definitely had some horror elements in it. Words are powerful. There are some books you just can’t read before bed.

But I still liked it—and I mean, really liked it. I think that has to do with the fact that Avi could scare me, using nothing more than words on a page and my own imagination. The fact that he could do that, and do it to the point where I had to remove myself from the story before I went on, is really a testimony to the quality of his writing and story-telling. Not many books can get you emotionally involved in the lives of completely fictional characters in completely fictional events. The ones that do are the ones that you’re not going to forget, and that you’re going to read and reread over and over again. And to me, The Seer of Shadows is one of those books.

That said, I will admit that The Seer of Shadows is probably not for everyone. The scare factor is very real, and for some people it would be overwhelming. It’s taken me a while to get over being scared enough that I could admire the fact that I was scared. It’s probably not the best book to give your twelve-year-old right before bedtime unless you want to give them nightmares. But for a mature reader who can handle it, I’d say: “Go for it. It’s worth it.” Horace and Pegg are great characters, and the mystery of who Eleanora really was and what happened to her adds a lot of depth to the story.

Link to Avi’s website: http://www.avi-writer.com/
Link to Avi’s blog (I’ve read it—great stuff for fans and writers): http://www.avi-writer.com/blog/

The Screaming Staircase - 4.5 stars

Second edition cover

     The Screaming Staircase by Johnathan Stroud is another new book I picked up recently. Johnathan Stroud wrote the Bartimeaus Sequence - I reviewed the first book in that series earlier. I've liked most of what I've read from Stroud. A few of his stand-alone novels didn't appeal to me much, but I've always liked the Bartimeaus Sequence, so when I saw he was writing another series, I gave it a go.

     The Screaming Staircase is the first book in the Lockwood and Co. series. It could be only a trilogy, which would be a shame, but since it's not finished yet - the second book in the series, The Whispering Skull, only came out September 2014 - I don't know. But so far, I've really enjoyed the first two books, so I'm probably going to be getting myself any sequels he comes up with.

     This story is set in London. A sinister Problem has been troubling the world for nearly fifty years now. All manner of ghosts and spirits have begun to appear in rapidly increasing numbers, and they don't appear to be friendly. Unfortunately, only young people have the ability to perceive these spirits. Many different agencies have sprung up, employing hundreds of adolescents and children to find and destroy these Visitors, as the spirits are called.. Lucy Carlyle is a brave and talented young agent with the ability to hear the Visitors. When she teams up with clever, charismatic Anthony Lockwood and his mildly repulsive assistant George, they all have hopes that the agency is about to make its mark on the world.

     Unfortunately this is not to be, and after their latest case ends disastrously with a house going up in flames, Lockwood and Co. face the possible end of their new agency. To save it, they must brave the most dangerous haunted house in London, perhaps in all of England. Combe Carey Hall has a reputation of spirits and hauntings that stretches back several centuries - long before the Problem really began. Can the three intrepid agents survive the horrors of the Screaming Staircase and the Red Room? Can they put an end to the haunting of Combe Carey Hall, or will they be the next three lives the forces of that house have taken?

     The Screaming Staircase was definitely a page-turner. Stroud balanced the comfy relationship of the three-person agency with a lot of fast-paced action and really dangerous situations. I was also really captivated by the originality of the plot. The story is set in slightly post-modern London, but it wasn't sci-fi at all. Something else that I found was interesting was the fact that agents use rapiers to fight Visitors - what's not to like about some dashing teens with flashing, silver-coated blades? Furthermore, there was definitely a mystery element to this story, and although the clues were there, I was kept deliciously guessing the entire time. I think you can agree that that's a mark of very good story-telling.

First edition cover

     As for the characters of The Screaming Staircase, they display Stroud's trademark sarcasm and humor. If you're like me and couldn't get enough of Bartimeaus in the Bartimeaus Sequence then the characters in Lockwood and Co. have a taste of that same sharp wit and irresistible, careless charm. Lucy is a very plucky and extremely admirable young lady. I didn't expect her to be my favorite, but she is, hand's down. It's also hard not to be charmed into liking the irrepressible Lockwood, and though I still have my doubts about George, he turned out to be a good egg after all. 

     Another mark of Stroud's ability to write very, very good stories is the Visitors. The descriptions of ghosts, spirits, and other things not quite of this world that stem from the Problem are incredibly riveting, and though I really should say 'realistic' that's what I'm going to go with. I honestly wished I hadn't started to read the climax after dark, because what they encountered in the Red Room was actually pretty scary stuff. If you've got a problem with getting emotionally involved with a book and getting as freaked out as the characters are, then you'll probably want to save The Screaming Staircase for strictly daytime reading.

     Other than that, The Screaming Staircase was a captivating and fun read from an author I know and trust to write good, high-quality material and tell intriguing stories. I'm actually really impatient for the next book to be published.

Link to series website: http://www.lockwoodandco.com/